EBONY PENCIL 

“Drawing is a common language beyond dialect, idiom, parlance, vernacular, or idiolect. It is like music. It touches us in the same way poetry touches us. It expresses the inexpressible, that which is seen and unseen, ineffable, that about which we dream, that which we long for. To draw is to yearn. Drawing is a form of probing—and the first generic impulse to draw derives from the human need to search, to plot points, to place a thing and to place oneself.”—(Berger on Drawing) John Berger

CARAVAGGIO’S GHOST

51x69 cm (20x27 in) 1983

MILESTONE

61x64 cm (24x25 in) 1981

MONKEY JAR

56x77 cm (22x30 in) 1980

RELEASE

64x69 cm (25x27 in) 1980

PARALLEL PERFORMANCE

56x77 cm (22x30 in) 1980

OPEN BOOK

66x74 cm (22x29 in) 1979

PLAYING ALL PARTS

66x74 cm (22x29 in) 1979

INTERTWINED

64x69 cm (25x27 in) 1975

ONCE UPON A NIGHT

64x69 cm (25x27 in) 1974

RECONSTRUCTION

64x69 cm (25x27 in) 1972

DECONSTRUCTION

64x69 cm (25x27 in) 1972

TOOLBOX

64x69 cm (25x27 in) 1972