EBONY PENCIL
“Drawing is a common language beyond dialect, idiom, parlance, vernacular, or idiolect. It is like music. It touches us in the same way poetry touches us. It expresses the inexpressible, that which is seen and unseen, ineffable, that about which we dream, that which we long for. To draw is to yearn. Drawing is a form of probing—and the first generic impulse to draw derives from the human need to search, to plot points, to place a thing and to place oneself.”—(Berger on Drawing) John Berger
CARAVAGGIO’S GHOST
51x69 cm (20x27 in) 1983
MILESTONE
61x64 cm (24x25 in) 1981
MONKEY JAR
56x77 cm (22x30 in) 1980
RELEASE
64x69 cm (25x27 in) 1980
PARALLEL PERFORMANCE
56x77 cm (22x30 in) 1980
OPEN BOOK
66x74 cm (22x29 in) 1979
PLAYING ALL PARTS
66x74 cm (22x29 in) 1979
INTERTWINED
64x69 cm (25x27 in) 1975
ONCE UPON A NIGHT
64x69 cm (25x27 in) 1974
RECONSTRUCTION
64x69 cm (25x27 in) 1972
DECONSTRUCTION
64x69 cm (25x27 in) 1972
TOOLBOX
64x69 cm (25x27 in) 1972